Experience pivotal works by composers who exploded the idea of what a string quartet can be—and in doing so, became iconic voices of their time. The illustrious Ariel Quartet, considered to be among the most fiery, impassioned, and innovative musical stewards of our time, delivers a Beethoven Bicentennial concert that shows how he voices his own evolution, and how the act of doing so fueled music-making by those who came after him. His Opus 132, a late masterpiece, pushes beyond where quartets—including his—had ever been. It features one of the most famous and deeply personal movements in all of the quartet literature, Beethoven’s poignant utterance on mortality. With the String Quartet No. 2, “Ist es wahr?” (“Is it true?”), young Mendelssohn is in dialogue with his idol. Written the year of Beethoven’s death, eighteen-year-old Mendelssohn models his piece on Beethoven’s final quartets, especially in its cyclic form and deeply personal origins. Two centuries later, Blueprint, by Pulitzer Prize and Grammy-winning composer Caroline Shaw, is a musical conversation with Beethoven and Haydn. It is a harmonic reduction of Beethoven’s early Opus 18, No. 6 quartet, and radically and remarkably explores its structural, joyful, and melancholic elements.
San Francisco War Memorial & Performing Arts Center
401 Van Ness Avenue, Room 110 | San Francisco CA 94102 P: 415.621.6600 F: 415.621.5091
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